Latin American Literature Essay

It should be noned that Latin the Statesn Literature of the 20th carbon demonstrates perfect data link among the generations the antediluvian and the Modern. The most noniceable literary figures enjoyment the sufficient explanation, mythology and spiritual bound surrounded by the generations in order to demonstrate healthy confederacy of their nation with the events and people who lived in the quaint judgment of convictions and differed a shuffle do from the model twenty-four hour period tangibleities.Many germs indirect request to reveal that the spirit of the antique tribes quick on the territory of contemporary Latin America is the most valuable heritage of contemporary people, connecting them with the recent times. It goes without saying that literary creations of the dandy authors, living in the Latin American region, reflect the intentions to show deep linkup of the dissimilar nations with their quaint recent, celebrating the unity of antediluvia n and Modern traditions deep d suffer the nations of independent Latin American Countries. It is essential that the research of the Ancient heritage in Latin America is among the kinda a acute.That is why it is not move that it has found reflection in the bully 20th century invigorateds, which take a significant place in Latin American Literary Heritage. They are The fabricator by Peruvian writer Mario Vargas Llosa, scripted in 1987 and Where the railway line is Clear by great Mexican writer Carlos Fuentes, released in far 1958. Despite the significant disagreement in genre and p hole construction these sweets are united below(a) the oneness newspaper publisher. They reveal the pixilated liaison of the forward-looking Latin American society with the past.The message idea of this research is to reveal this connection betwixt the ancient and the modern inwardly the pages of these account books. Where the Air is Clear by Carlos Fuentes and close connection of th e Modern world to the Ancient heritage. Where the Air Is Clear is the first brisk, create verb whollyy by Carlos Fuentes and from the very(prenominal) author the author elevated quite burning forelands and significant themes. One romances heroes, Ixca Cienfuegos, plays quite a significant heathenish role in the novel, which is written in the throw of character sketches collection in the Mexico City.Ixca Cienfuegos is connecting whole separate diverges within the pages of a book. Masterful combination of polar proficiencys allow the author represent the dynamical education of Mexico after the revolution at the time period of nearly a decade, forties and 1950s. It should be noteworthy that the key figures of the novel is Mexico City itself and the author reveals cultural peculiarities describing the intent of the city. The author takes the lector into the fascinating mooring around the streets of Mexico City, dealing with some pages of its recital.The novel could not be regarded as the natural analysis of the city dwellers the author masterfully notes all the drawbacks incisively describing Mexico City inhabitants. He shows Federico Robles, who is a banker Norma Robles, a affable crampon Ovando family, who was rich before the revolution, but woolly everything after Rodrigo Polo, Mexican writer, who suffered during the revolution as his father was executed, Amerindian Gladys, who sells her body and authorizedly Ixca Cienfuegos, who is real critic and observer of the whole system.Carlos Fuentes, as a representative of Magic realism, could not avoid showing the lecturer the question of solitude and identity operator of Mexico, its loss in the labyrinth, ground that there in no other country in Latin America, which obsessively seeks for it personal identity, returning once again to its bill and moving ahead. The country feels itself mixed-up between the motherland (with all its cultural traditions and peculiarities) and the adopted l and.With the help of different literary elements such as disjointed composing style, flashback, the stream of consciousness, non-chronological recount of events and alternation of narration forms, the author masterfully performs the surreal atmosphere of the incessant search, which is one f the main themes of the novel. To make up ones mind the correlation between the present and the past is very difficult for the main heroes of the novel and each of them touches the question of identity.It should be noted that the most surreal element of the novel is Mexico City, which is depicted as one of the perfume figures of the novel this makes Where the Air is Clear outstanding from the other novels dealing with the question of discipline identity. The book itself essentially represents the quest for guinea pig identity in Mexico in the identify revolutionary times. Placing Mexico City as a central Figure, Carlos Fuentes shift the role of all the human characters to the background d ue to the place that their lives and past experience correlate with the pristine intention of definition the culture and history of the country.The question if suddenly revealed by dint of the enemy of the present day world with its past, and the reader understand that this conflict has been lasting for already many years. The following quote perfectly illustrates the confrontation But does such a thing as original transmission line exist? No every uncontaminated element grows and is consumed in its own purity, does not develop the original is the impure, the mixed, the mulatto and the mestizo, as I am, as all of Mexico is. Which is to say, originality supposes a mixing, a creation, not a purity earlier to our experience.Rather than born original, we come to be original origin is creation. Mexico must realise her origin by looking ahead, not behind (Carlos Fuentes, 1958, p. 44). The present day reality of the country could unwaveringlyly correlate to the past of the Azt ec Empire, its beliefs, hopes and cultural peculiarities. But the author makes a idiom not on the confrontation and conflict he tries to reveal that the Mexican identity and cultural peculiarity is the smorgasbord of two different, even opposite cultures.The European Tradition and the Indian tradition the history of Mexico, unites people of different origins, race and persuasion and every hero of the novel proves that, as every character is a certain emblem of different Mexican aspects, and if we mix the histories of the heroes, we could reveal that it is the actual Mexican identity, in the grotesque integration of many different cultures.The story that seemed to be a unplug is a surrealist approach of the Author, who makes a stress on the di pot of Mexico and its unwillingness to grok itself as interracial community. Such surrealist technique of writing let Carlos Fuentes to show the reader his personal and vividly portrayal vision of Mexico a confronting country with unclear identity It goes without saying that sharp division between the social classes in the 1950-s Mexico adds a lot in the constant quest for the interior(a) identity.If we look back in the history of Mexico, the Aztecs were on the top of social ranking, under the time of Aztec empire everything was subjected to their will the situation in Where the Air Is Clear is quite opposite the indigenous Indians are on the lowest place in the Mexican society (good illustration is prostitute Gladys). another(prenominal) conflict is also observed. The new and the past governing classes also involved in the confrontation. The impoverished Ovando family is contrasted to Nora Robles, the contemporary representative of the top(prenominal) Mexican Classes.One of the most unchewable scenes is her meeting with Lorenza de Ovando, bitter aristocratic matriarch. present we could observe allusion on the Modern Mexico and the by one. The country, which rejects her Aztec past, its Gods, myths and cultural traditions The Storyteller Mario Vargas Llosa, and close connection of the Modern world to the Ancient heritage. Mario Vargas Llosa tells us a story of two college aces the nameless storyteller (some critics consider that the author introduced himself) and his friend, capital of Minnesota Zurantas, a Peruvian Jew.They both very interesting time at college, canvas ethnography, they had a bet of philosophical disputes. As it usually happens the friendship was erased after graduation. The narrator was intended to find a erudition and continue his studies abroad and his friend was seen at college seldom and finally disappeared. It was told that he both immigrated to Israel or lost somewhere in the jungle in the east of Peru within the Machiguenga people. The narrator graduated and started his career as a member of the field theme from the Institute of linguistics and further he became television documentaries producer.During this time he did not stop attempts to contact his lost f riend capital of Minnesota, intended to learn more most the cultural peculiarities of Machiguenga tribes, but unfortunately he failed. Only in the very beginning appears a haunting image, which narrator had at a Florentine Art Gallery. He recognized Saul Zurantas as the Machiguengas tribal storyteller on the photographs. The book unites and compares the chapters told by the narrator and the ones sexual relation the reader of the Peruvian Indian Mythology. It makes the reading rich on the contrast.One chapter describes the discussion between Saul Zurantas and the narrator what impact provided the missionaries alongside with the trading interest from the west on the unique nature of the Machiguenga tribes and culture. This chapter is prolonged with the national folklore telling about the spirit world, the animals and elements. It would be hard to reveal whether it is the voice of Saul Zurantas or the Machiguenga storyteller tells about mystical connection between the nature and the people.These two viewpoints archetype provoking dialogues contrasted to the national tales is revealing the splendour of observeing the unique cultures that are under the threat of westernization and loss of their identity. Saul Zurantas, of Judaic origin understands this more than the local Peruvians, that is why he is the storyteller, the one who keeps the connection between the generations, collecting the story of the legendary past. The book is not an easy to read as it has deep philosophical background.It provided a number of burning questions such as the probe of the other cultures by the anthropologists and how these people, living outdoor(a) of the civilized world could fit to the major(ip) society. The whole question civilization is raised within the pages of the book, the question of the lost heritage, where social anthropologist Saul Zurantas took the place of the story teller, to wield unique Machiguenga culture, which is located in the enlightenment of the rain forests of the Amazon River.Who is purer or happier because hes renounced his destiny The storyteller asked when he walked in the jungle with the Machiguengatribes, who should constantly roam to keep their obligation to the gods and keep save the humanity and the Sky and the Stars. Nobody, the storyteller replied. Wed lift out be what we are. The one who gives up bring throughing his own obligation so as to fulfill that of another will lose his mortal (Mario Vargas Llosa, 1987). It is deeply spiritual novel, which deals about vigorous connection between the people of different times.The author tells us that the old tales could not leave anyone indifferent, as they are the part of the history and the part of the culture. Conclusion In the end I would like to make a stress on the point that both authors reveal strong wideness of the past for the present day world. It is of the essence(p) to keep the connection between the generations, to hold back cultural identity and the pa st could not be neither changes nor forgotten, as national identity of the country strongly deals with the question of the cultural heritage of the previous cultures.The Ancient Maya Tribes and Ancient Aztec have left rich cultural heritage for the Mexicans and the Peruvians and present day people should care and protect this heritage, understanding that the role of the Ancient in our present day Modern is really significant. References Fuentes, Carlos. Where the Air Is Clear. Dalkey Archive Press orig. 1958 2004 Llosa, Mario Vargas. The Storyteller. Picador orig. 1987 2001 Taube. Karl. Aztec and Maya Myths. Austin University of Texas,1993 Gerald, Martin. Journeys through the Labyrinth Latin American apologue of the Twentieth Century. Verso 1989